Archives For christian lerchenfeld

sirsly

Just last week, one of our favorite bands on the indie electronic circuit, Sir Sly, released their own rendition of current hip hop titan Drake’s song “Marvin’s Room.” Playing the song in heavy rotation in their van while on their recent North American tour with St. Lucia, the Los Angeles based trio vowed that if they were to ever cut a cover, it would be the song that got them through those long hours on the road.

Sir Sly released their self recorded debut EP, Gold, just last year and much to our approval, the band is beginning to get the attention they deserve and they have no intentions of slowing their pace. Having recently wrapped their tour with St. Lucia, the band announced earlier today that they they will be supporting English pop rockers The 1975 on their upcoming North American tour, due to kick off next month. Check out Sir Sly’s official website and Facebook page for tour dates.

Now, sit back and enjoy this killer tune!

Christian Lerchenfeld

foxtrots2

Here at Cause A Scene we always jump at the opportunity to spotlight local artists and we love to keep tabs on past CAS performers, and Nashville-based folk pop outfit Charlie and the Foxtrots falls into both of those categories. Having played a CAS show this past October with fellow Nashvillians, Smooth Hound Smith, Charlie and the Foxtrots have been a talent we have been keeping a close eye on.

In early 2013, lead vocalist Chas Wilson began assembling The Foxtrots, forming a seven piece band, drawing their sound from classic folk and bluegrass influences, fusing it all together with modern pop. In only a few months time, Charlie and the Foxtrots recorded and released their first EP, and they have not slowed their rapid pace in the time since.

Currently on the final leg of a regional east coast tour, the band has also spent the last several months in and out of the studio, recording their followup EP, which is due to release this spring. The video for the first single, “The Man I Am,” from their forthcoming EP released just last week on AmericanSongwriter.com. Watch the video for “The Man I Am” below and keep up with Charlie and the Foxtrots at the band’s website for the official release date of their sophomore EP.

Christian Lerchenfeld

chelsea lankes

As the thirteenth year of the new millennium has drawn to a close, we find ourselves in a time when music is more attainable than ever, both to produce and access. That accessibility has in turn opened the musical landscape allowing artists to experiment to further degrees and be more adventurous in their craft than ever before. Such liberties have spawned a new generation of artists and musicians that possess a quality of free-spiritedness and a hunger to make their passions heard. These are the qualities we at Cause A Scene are drawn toward, and these are the qualities that we believe are pushing music forward.

I recently had the pleasure to sit down and chat with Chelsea Lankes, an up and coming pop artist with a big sound who in many ways embodies the above listed qualities. Having grown up in Fort Worth, TX, Lankes has spent the last several years of her life in Nashville and in that time she has found herself moving through a series of events that have culminated into a blossoming career in music. The release of her debut EP, Ringing Bells, in 2012 would lay the framework for a sound that is grounded in catchy, popcentric beats and melodies but where Lankes really sets herself apart is in her lyrical focus. A shining example is her recently released single “Ghost” from her forthcoming sophomore EP. The skilled production on the track gives “Ghost” a glowing sheen and induces entranced head nods. This coupled with the depth of the lyricism and the mood of the song that resemble something closer the ballad of a moody singer songwriter that makes “Ghost” stand out among the cookie cutter pop tunes on your local top 40 station.

Like most music lovers and musicians, Chelsea traces her passion for music back to her childhood, recalling nights spent backstage at the Grapevine Opry watching her mother sing. While she continued to progress her talents as she grew; learning piano and guitar, writing lyrics, and even playing open mic nights at bars in her days at Texas A&M, it wasn’t until the end of her collegiate career that she even considered doing music professionally. It was with the sort of blind resolve and dedication to pursue one’s passion, which I believe can be sensed from the moment a musician strums their first chord or sings their first note, that led Chelsea to Nashville.

While her Texas childhood shaped her love of music, it is her time spent and the people she has crossed paths with in Nashville that Lankes credits with her development as a recording artist and the development of her sound. “I didn’t know how to write songs before I moved to Nashville,” said Lankes. “Lyrics have always come naturally to me, but it wasn’t until I began working with other songwriters here, people much more talented than me in that area, that took the time to work with me, that I began to understand how to properly structure a song.”

That proved to be not the only obstacle Chelsea faced as she was trying to be heard in one of the most talent saturated cities in the world. “It took me a while to find my way when I made the move to Nashville,” said Lankes. “I worked a country label doing promotions, hoping to get a feel for the business, but after about 8 months I said, ‘Nope. I’m not cut out for this,’ and I quit.” It wasn’t too long after that Chelsea sold her car for parts in order to pay for demo recordings. In the time following, Lankes focused all of her efforts towards recording her first album, the result of which she attributes to the supportive artist community of Nashville and to Seth Jones, who produced Ringing Bells and helped her discover her pop-based sound.

Despite the earlier struggles, it seems that her commitments have paid off, as Chelsea has recently been spending time in Los Angeles working to finish recording her new EP, due to release early this new year. Lankes went on describe the sound of her new material as being within the same vein as Ringing Bells, but possessing a more eclectic range from track to track, drawing specific influence from 80’s pop, while also noting that she believes it displays the maturation and growth she has felt as an artist since her first release, specifically in regards to the songwriting.

Along with the release of her new EP, 2014 holds more changes for Lankes as she plans to relocate to LA, where she believes she will have more opportunity to grow, especially in the avenue of pop music, as she continues to develop her sound and career. When asked what she felt the release of her new EP held for her future as a musician, she replied, “I always want to change myself. Whatever I put out is going to be better than ‘Ghost,’ and whatever I put out after this next EP is going to better, otherwise I won’t release it.”

Christian Lerchenfeld

 

cereus bright

Finishing off this month’s Communion Artist Spotlight, in anticipation for tonight’s Communion Nashville Christmas Special, is a band who has quickly become one of our favorite new artists here at CAS in only a mere few months. Having played two Cause A Scene shows in 2013, Cereus Bright, a folk duo from Knoxville, TN is a band that is quickly shaking up the folk music scene, shying away from current indie folk-pop and digging up the roots of the historically rich genre.

Comprised of Tyler Anthony (lead vocals, guitar, piano) and Evan Ford (lead guitar, mandolin, backup vocals), Cereus Bright has in a very short period of time developed a sound a sound and identity that is grounded in simplistic melodies and complex and meaningful lyricism that ode the themes found in the folk tunes of yesteryear. In just two years time, the pair has been writing nonstop, released two EPs and played show after show in any cramped venue or coffee shop across the greater Southeast that would let them bust open their guitar cases, and the work is certainly beginning to pay off.

In the time that Anthony and Ford have been writing and playing together, they have garnered a rapidly growing fan base and began to receive national attention following the release of their first EP, Goldmine, in November of 2012. The band recently released their sophomore EP, Happier Than Me, just last month, from which the track “Stella” was their second song to be featured in Volvo’s “Joyride” campaign.

See Cereus Bright tonight along with Milktooth, Joseph Arthur, Rosco Bandana and Josephine and the Wildfront at The High Watt on Cannery Row, at the Nashville Communion December Club Night. It is going to be a festive occasion ripe with great music and the tackiest of sweaters. The music begins at 7:30 PM and tickets are only $5.

Christian Lerchenfeld

Cereus Bright- ‘Chattanooga’

CAS11_23

This Saturday we are heading back to Edgehill Cafe to close out another kick ass year at Cause A Scene. Saturday evening will mark our 63rd and last show of 2013, and we think that’s a damn good reason to celebrate. We couldn’t think of a better way to do so than to put together a lineup jam-packed with some of the best up-and-coming talent we could find, some who are CAS first-timers and many of which are making their much awaited returns.

The headliner for the evening is the Nashville-based indie folk outfit Lulu Mae. The return of this 7-piece band to the CAS stage is one that we have been eagerly anticipating and we can’t wait for them to rock the house at Edgehill. With a sound that draws influence from Ryan Adams and the Decemberists, Lulu Mae’s magic lies in their ability to unfold stories before their audience and their family-bound chemistry. Putting a fresh spin on the term “family band,” Lulu Mae is comprised of frontman Joel Finley and his wife Sarah (vocals), their college friends, brothers Ben Smith (bass) and Adam Smith (keys, trumpet) and Adams wife Jen (backup vocals). The recent additions of roommates Anthony Mangin (electric guitars) and David Sutton (drums) have given this band a distinct sound that is extensively explored on their first full-length album, The Mockingbird and the Dogwood Tree, which was released last year.

2013 has proven to be a big year for Lulu Mae and huge stepping stone in what seems to be a limitless direction. They kicked the year off by winning Music City Mayhem, Lightning 100’s giant annual local music competition, in April and opened up for Local Natives and Leagues in September in front of a crowd of thousands at this years Live on the Green, Nashville’s annual free concert series. With all the exposure they have received this year, Lulu Mae has no plans of slowing down and are closing out 2013 working on a sophomore release that is due to release next year.

Jesse Lafser, who also opened for Lulu Mae at their last CAS appearance, will be setting the stage once again with her Americana influenced indie-folk tunes. This St. Louis native, who now calls Music City home, brings an atypical sound to Nashville’s abundant music scene and we can’t wait to hear again this Saturday. Lafser’s most recent album, Land In Sight, was released in 2012.

Also on the evening’s bill are two folk singer songwriters and CAS alums, Faye Webster and Joseph Lemay. Atlanta-based Faye, opened for Little Tybee and The Get Togethers at an East Nashville back in May is making her Nashville return this Saturday and we are thrilled she chose to join the CAS ranks once again. With the release of her first full-length album Run and Tell earlier this year, Faye exudes a musically prowess and maturity well beyond her years. Joseph Lemay played one of our first house shows of 2013 and we are stoked to welcome him back to help close out the year. Possessing a bare-bones sound that is grounded in masterful lyricism, Lemay writes his songs from a trailer located in a small town in West Tennessee, but refers to Nashville as his “musical nucleus.” Joseph is currently in the studio working on his debut album.

Filling out an already stellar set musicians, are two CAS newcomers who are sure bring a perfect balance to the evening’s lineup. Rusty Clanton is a singer songwriter who calls the Cleveland, TN home and the influence of the East Tennessee hills and their sounds are a clear influence in his music. Maggie Chapman, another young up-and-coming singer songwriter with a voice that possesses a maturity well beyond her years, is a recent Music City transplant by way of Tampa, FL. This being her first Nashville show, we are honored to help her spread her music to this great city.

This lineup is going to be beyond killer and we want every friend and music lover in town to come help us celebrate and cap off another year of fantastic music discovery. Space at Edgehill is limited so ensure your spot by getting your tickets early here. Doors open at 7:00 PM and the music will start promptly at 7:30. Tickets are $5.

Christian Lerchenfeld

Lulu Mae- ‘Fiction of Speed’ (Live at Music City Roots)

Jesse Lafser- ‘Land In Sight’

Rusty Clanton- ‘Ribs and Things’

Faye Webster- ‘I Wanna Be Like You’

Joseph Lemay- ‘Molly My Girl’